Wardrobe Architect Week 7: Exploring Solids and Prints

Well I’ve got a little behind with my Wardrobe Architect posts! The last one I wrote was almost a month ago – so much for writing a post every 2 weeks! I ran out of time for blogging much the last couple of weeks because I was working on my dress for The Dressmakers Ball (which was amazing! Post to follow soon), which took much, much, much longer than I thought. Also last weekend we had a power cut for half an afternoon and a whole evening and night (the power came back on the early hours of the next morning) so I did lose some time there.

Anyway, to this week’s Wardrobe Architect post. It’s all about exploring solids and prints this week (it’s not just a clever title!). The introduction for this week says:

“What I’ve heard over and over from you guys is that prints are incredibly seductive. Fabric stores are awash in adorable prints that look great on the bolt. But often, we get them home and don’t know what to do with them. Or, we make garments that sit in our closet and never get worn, either because they are too loud, too cute, or they just don’t go with anything.

By thinking ahead about the prints that you are really drawn to, you can narrow your choices and sidestep this feeling of being overwhelmed at the fabric store. If you know what’s really you, you’re less likely to collect things simply because they’re pretty or cute.”

There are also some questions to think about to help you narrow your choices with regard to solids and prints:

Prints vs. solids: What percentage of your wardrobe do you actually want to be comprised of prints? Some people wear prints all the time, for others they’re more of an accent.
I think at the moment prints are probably maybe 30-40% of my tops and dresses, but 0% of my trousers and skirts. I would like to have a couple of pairs of cool patterned slouchy trousers, but that probably is about the balance I like.

Scale: Do you tend to prefer large scale prints, small scale, or a mixture of both?
I think mostly I like smaller scale prints – being quite a small person I’m not sure I’d be able to pull off a giant print. Maybe if it was a simple shape of garment and there was, like, one repeat? Oooh, there’s an idea!

Contrast: Do the prints you like use lots of contrasting, bold colors? Or are they more tonal and subdued?
Definitely more tonal and subdued – I know I’d be a bit scared to wear something in crazy colours!

Naturalism: Do you feel drawn to flowing, organic, or naturalistic prints? Or are strong, abstract, geometric designs your thing? Or are there versions of both that you love?
I’m not really a fan of floral prints, so I would go for abstract and geometric designs definitely.

Mood: There are hundreds of styles of prints. Are there prints you choose that relate to your 5 style words?
Not sure, I’ll have to think more on this one.

I’ve narrowed down the kinds of prints I wear to a few categories.

Spots

#SewDots GBSB Drapey Knit Dress#SewDots Delphine skirtNavy Spotty Rushcutter DressBlue Spotty Archer Button Up
(Clockwise from top left: Drapey Knit dress, Sew Dots Delphine skirt (with a spotty lining), Blue Spotty Archer shirt, Dark Blue Spotty Rushcutter dress)


(images from my Wardrobe Architect Pinterest board)

Stripes

Interestingly all the striped things I’ve made have been basically the same colour!

Breton Striped Plantain Tee
(Clockwise from top left: Colette Laurel, Ugly Dress Refashion, Marianne Dress (not yet blogged), Breton striped Plantain Tee)

(images from my Wardrobe Architect Pinterest board)

Geometric (or not spots or stripes)

Blue Patterned Melilot ShirtTilly and the Buttons Coco Dress (Made Up Initiative)Aztec Linden sweatshirt(Clockwise from top left: Melilot Shirt, Coco Dress, Aztec Pattern Linden, Moneta Party Dress)

(images from my Wardrobe Architect Pinterest board)

Florals and Novelty

Weirdly I’ve actually made a few flowery things even though I didn’t think it was my thing! Also there are some cute novelty print fabrics, but I tend to steer clear of them as I’m afraid I’ll feel stupid wearing them!

Yellow and Navy Flowery Deer and Doe Plantain Tee

(Clockwise from top left: Flowery Archer, Flowery Plantain, Vintage Summer Dress, Orla Kiely-esque Colette Laurel)

Interestingly I don’t really wear these items very much, apart from the archer, which I think means I need more archers, and that the prints and fit of the 2 dresses weren’t brilliant!

These are 3 of my favourite novelty prints – I think I could pull off the blue cats one because it’s actually a little more abstract. Or maybe I just need to grow some balls and wear what the hell I like!?

(images from my Wardrobe Architect Pinterest board)

I’ve found it really interesting to really analyse which prints I like and wear. The main theme, though, seems to be blue! I think I might have subconsciously known which prints I like, but having really thought about it and bringing it into my mind more consciously, hopefully my fabric buying won’t end with me thinking ‘what am I going to make’ and then ‘I’m never going to wear this’.

Wardrobe Architect Week 6: Organising Your Palette

I feel like I’ve lost my blogging mojo a little bit recently, but I’m trying to get back into the swing of things, so I’m going to do the next week of the Wardrobe Architect, week 6: Organising Your Colour Palette.

Following on from me identifying the colours I like wearing in my previous Wardrobe Architect post, this week is about sorting the colours into categories, which will hopefully help me make decisions about what to make in which of my colours. I have added a few extra colours to flesh out my palettes.

This was my original palette:

As they say in the original post for this week:

“Neutral colors are basics that go with just about anything. Think browns, grays, black, white, beige, etc.

Generally, neutrals convey an air of sophistication and elegance, though they can become boring if used exclusively or untempered by other kinds of visual interest, like texture, silhouette, or detail.”

 

Colette define ‘nearly neutrals’ as “anything you personally wear like a neutral. You feel confident combining them easily with other colors.”

“Your own definition of nearly neutrals can vary. Think of colors that seem to go well with everything, like burgundy, navy, wine red, very pale blush pink, olive green, gold, etc.”

I don’t have many statement colours, but this is definitely the happiest of my palettes!

“These are the colors that don’t necessarily go with everything, but have a lot of visual impact. For me, these colors elicit some of the strongest feelings. They have a lot more visual weight, and they tend to make clothing more recognizable.

Statement colors can be used in large or small doses. You can have many of them, or just a few.”

They also added metallics to their narrowed down palettes, but they really aren’t colours I wear so it felt like I would be forcing it to add some into mine.

I like how collecting the colours I picked last time into smaller collections will help me focus on creating a wardrobe which will hopefully mean things I make will go with other things I make – and if they don’t, I know they are statement colours so that’s okay!

Wardrobe Architect Week 5: Your Colour Story

This week’s Wardrobe Architect exercise is about coming up with a colour story for your wardrobe. To quote the original post:

“Color is an extremely powerful force in our lives.

Color affects our mood. It affects how food tastes to us. It affects how and what we buy. The color of the pills we take can even affect the efficacy of the medication within. That is what a powerful psychological effect color has over us.

Not only is color a potent communication tool, but it’s also a nuanced one. We are capable of perceiving a huge number of colors, each one arousing a slightly different feeling in us.

Perhaps you can’t articulate why a certain shade of apricot feels good to you, but a slightly yellower shade does not. Somewhere deep within your mind, a combination of biology, culture, and context makes that decision before you are even aware of it.

It creates a visceral, physical response that you experience as emotion.” (source)

I pretty much already knew what my palette would be, but it’s hard to pin down exact shades of blue (for example), so it did take longer than I thought it would. Also I struggled to come up with 12 colours! Looking through my handmade wardrobe, though, I’ve pretty much stuck to these colours, which really surprised me. I thought I was a bit more all over the place, but it seems I’ve always kept to a fairly limited palette!

I did pin some pictures on my Wardrobe Architect Pinterest board to help me narrow these colours down. I tried to avoid pinning pictures of clothes, though, so I wouldn’t pin things thinking I liked the colour, when actually I liked the silhouette. What strikes me is that this palette looks quite bright, but I feel like I dress quite boringly a lot of the time, so that needs rectifying. I also need more coral in my wardrobe. I really do like it but when I made my lace dress and jacket for the wedding I went to last year, I initially wanted a coral jacket and not a mustard one but I couldn’t find any fabric in the shade of coral I like – and it turns out coral is a word that means anything from pale pink to bright orange!

I feel like these colours are mostly the ones I think I look okay in – I would never put red on my colour palette for instance. Do you find you’re naturally drawn to clothes in colours that suit you?

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Wardrobe Architect Week 4: Proportions and Silhouettes

wardrobe-architectThis week’s Wardrobe Architect is about finding out what silhouettes we like to wear. It builds on last week’s assessment of the shapes of garments we like to wear and puts them together to make outfits, which emphasise or hide different areas of our bodies by ease or length. The idea is that we will come up with some key silhouettes we like, which will become the templates for what we sew and what will hopefully become a capsule wardrobe.

I came up with a few ideas for outfits I like to wear – some are smart, some are casual, some are for Winter and some for Summer. I found pictures that were the shape of garment I was looking for, but not necessarily the colour. All image sources can be found on my Wardrobe Architect Pinterest board.

1.Skinny jeans, loose top, cardigan flats.

1.b Or the above outfit as a bit more casual with trainers and a different top.

2. Pleated Trousers with a loose shirt, jumper and flats

2.b Then there’s a more casual version of this with boyfriend jeans and trainers.

3. Short skirt, tights, slightly fitted top/shirt (tucked in), cardigan, flats or ankle boots.

4. Loose shift dresses, tights, cardigan, ankle boots.

5. Fit and flare Summer dresses with sandals.

 

I could swap out sandals for shoes or trainers and lose the cardigans and jumpers for more Summery versions of the outfits. Living in England we don’t have much of a Summer usually – a couple of weeks if we’re lucky – so layers are usually the way to go when it’s warmer.

I’ve found this week really helpful in terms of working out a capsule wardrobe! I’ve been feeling recently that I have lots of clothes and not much to wear, and I carry on making things but still think I have nothing to wear. This exercise will definitely help me pick what to make so that I have lots of combinations I can put together into outfits I actually like and feel are ‘me’.

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February Makes and March Plans

I literally can’t believe we’re already in March. (I’ve been watching a lot of Parks and Recreation recently, so this sentence is my homage to Chris Traeger!) I was moderately successful in completing my makes for February – I made only one thing I planned, but I made 2 extra things I hadn’t planned. I also had a mammoth cutting out session so I still have a few projects ready to go!

In a rare moment of blogging, I’ve actually blogged everything I made in February already (this may come back a bite me on the arse when I run out of things to blog!). First up I made this Colette Mabel skirt, to match the one I made for my sister for Christmas.

my-grey-quilty-mabel-1I also made what I thought would be my entry into the #MonetaParty, which was in the end my first version of the pattern, from the navy-with-white-flecks jersey:

moneta-party-dress-1Then I made my second, way more successful version of the Moneta, which rescued the pattern in my eyes – I felt it was a bit frumpy and not really my style in my first version. It goes to show the importance of fabric choice!

jazzy-moneta-party-dress-6

So my plans for March are pretty much the things I didn’t get around to making in February……including these effing trousers which have been on my to-make list since I started doing these posts back in October! They are at least cut out! I’m planning to tackle them this weekend.

october-planning-simplicity-trousersI do also want to make my Toaster Sweater, which is also already cut out. I think it will be a good top for the still-quite-cold-weather we’re having in Gloucestershire! And I love the silver jersey I’ve got for it. Now if I could only get my overlocker working……

toaster-sweater-fabric

If I have time – which is unlikely to be honest as I’m away for 2 whole weekends in March – I’ll try to make my denim Moss Skirt, which is basically a copy of the one I made for my sister.

I want to try to get some fabric this month to try to make a start on my #2017MakeNine. The Moneta Dress was one of them, so I’ve at least made one. I also have Christine Haynes’s Marianne Dress on there and I do have fabric for that so hopefully that will be made in April.

I also want to get back into refashioning – I have quite a stash of garments to refashion – as that is one of the things I consider to be under the ‘thrift’ part of my blog name! Though as I’m away for some of March, this might have to wait until April!

What are your sewing plans for March?

Definitely my #MonetaParty Dress

jazzy-moneta-party-dressAfter what turned out to be my wearble muslin of the Colette Moneta, I was persuaded by Sarah from Like Sew Amazing (who has a fab new vlog, the first episode of which is about all 6 of her Monetas and features yours truly!) to make another one when she invited me to her house for a irl Moneta Party. It was really fun to sew with someone else – it’s normally such a solitary pursuit, it was a novelty to do it with company!

jazzy-moneta-party-dress-2I feel the main saving grace of this Moneta compared to the other, is the fabric. Eagle-eyed readers may recognise the fabric as the one I used for my Coco Dress. I used the pattern in a different way, centering the space between the diamonds instead of the diamonds themselves as I did for the Coco. I think it works better this way, which is good because to start with I was going to place the diamonds around the bodice in the same was as the Coco. And the diamonds pretty much line up on the side seams. Yay!

jazzy-moneta-party-dress-4The fabric looks even more trippy and like a magic eye picture from the back!

jazzy-moneta-party-dress-7The black fabric is some ponte I bought from my local sewing shop. I had thought they didn’t have that much of a range of dressmaking fabrics, but actually it’s pretty good when I looked closely and ignored the boxes of fat quarters! They have needlecord, lots of patterned cottons and a pretty good range of jerseys for a shop of that size. They also have everything you could possibly want in their massive range of haberdashery items.

jazzy-moneta-party-dress-5I really like the ponte as it has a nice structure to it, making it a lot easier to sew with than the thin fabric from my last version! The jazzy fabric is quite thin, but not too difficult to manhandle for just a couple of seams! The only problem with this combination of fabrics is the skirt pulls down the bodice slightly because the jazzy fabric is much more stretchy.

jazzy-moneta-party-dress-6I again cut out the straight size xs and this time didn’t need to make any fitting changes under the arms – I guess different jerseys behave in different ways. I also cut out the short sleeves instead of the longer ones because I didn’t think the 3/4 length sleeves would work in the black fabric. I did cut out the sleeves in both fabrics and asked Sarah’s opinion and she thought the black would look better – and she was totally right!

The main change I made, which I hadn’t initially planned, was to add a neckband.

jazzy-moneta-party-dress-3I measured the neckline of the bodice – the front neck was 34.5cm and the back neck 31cm. Added together this comes to 65.5cm. I decided to take 4cm off this length, guessing that this would be enough smaller to sit flat but not so much smaller it puckered the neckline. I’m sure there is a science to this, but my guess was okay. I then added 2cm back on for the seam allowance to be able to sew the 2 ends together into a loop. I cut the band to be 5cm wide. After sewing the 2 ends together, I folded the band in half lengthways, wrong sides together and tacked it all the way around. I then lined up the 2 edges of the band with the neckline of the bodice, stretching it slightly to make it fit. I then stitched it with a 1cm seam allowance, flipped it to the inside and topstitched it with my twin needle.

jazzy-moneta-party-dress-8If you follow me on instagram you’ll have seen that while at Sarah’s house I played with an overlocker for the first time. She had it all set up ready and it wasn’t as scary to use as I thought it would be – I feared the fabric would run away and cut itself in half before I knew what was happening! But it’s pretty much like a normal sewing machine, of course! Some of the insides (which I had time to do at Sarah’s) look lovely so I’m definitely a convert to overlockers, and I even got mine out the box for the first time, having bought it a couple of months ago! I managed to thread it but the stitches were all loopy and no matter how much I changed the tension, it didn’t fix it. Any ideas? Is it possible I did actually thread it wrong and it kind of works but not properly?

I’ll leave you with this outtake from my photos – this was me testing the camera set up, feeling really cold and wearing my glasses (which I took off for the photos!)

jazzy-moneta-party-dress-9
 

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Tilly and the Buttons Coco Dress (Made Up Initiative) thumbnail Book - Colette Sewing Handbook Colette-Laurel-brown-pattern-thumb 2

Twin Mabels for Twin Sisters

You know how I was making those skirts for my sister for Christmas? Well one of the 3 I made in time for Christmas was a Mabel made out of this cool quilted jersey from Fabricland (though we got it in grey and it seems to be only available in khaki now).

This is mine:

my-grey-quilty-mabel-1And this is my sister’s:

phoebes-grey-quilty-mabelLike us the skirts are more fraternal (non-identical) twins than identical twins. They are both a size small – I traced off a size bigger in this pattern after the too-tight original Mabel I made a couple of years ago. Phoebe’s is 3 inches longer than mine, which was the length she requested. I made mine in the standard length for the pattern, which hits me just on the knee.

I’m pretty pleased with my pattern matching skillz on both, if I do say so myself! This is Phoebe’s:

phoebes-grey-quilty-mabel-3And this is mine:

my-grey-quilty-mabel-6

Mine isn’t quite as good as the  pattern isn’t uninterrupted – I’ve got two poofy bits and 2 flats bits (technical terms, obviously!) next to each other, when they should alternate. But at least the lines match up.

I managed to mostly match them on the waistband too, at least in terms of the vertical lines, if not the horizontal zigzags perfectly.

phoebes-grey-quilty-mabel-4Mine was a bit better matched across the back – sorry Phoebe! One of the back panels of hers ended up slightly on the wonk – I guess the fabric wasn’t perfectly folded in half. I haven’t done a huge amount of pattern matching, so I’m pretty pleased with how these turned out 🙂

my-grey-quilty-mabel-7I love the little kick pleat at the back!

my-grey-quilty-mabel-3These are definitely really quick skirts to sew up. At least they are when you don’t sew the waistband on upside down, without realising until you’ve finished the skirt and topstitched the top edge to stop it rolling. Though I’m just guessing that this would be really annoying and time-consuming to fix……… I actually didn’t topstitch the top edge of mine because I was feeling lazy!

my-grey-quilty-mabel-5I used a twin needle (heh!) for the hem and stitching in the ditch of the bottom of the waistband, and topstitching the top edge of Phoebe’s skirt, but for mine I just used a normal zigzag for the hem and stitching in the ditch. You actually really can’t see the stitching on this fabric, so it didn’t matter to me too much on my own whether it looked all professional like a twin needle makes it look.

my-grey-quilty-mabel-8I modelled the skirt with a tight rtw top tucked in, so you could see it, but I’ll really wear it with this black jumper in the Winter, and maybe my Astoria when the weather gets a bit warmer. I actually wore it exactly as in the above photo to work on Monday and I got quite a few compliments. And I love saying ‘thank you, I made it’ when I get complimented on something I’ve made. #sorrynotsorry.

Who would you like to wear matching clothes with?

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Aztec Mabel skirt thumbnail Mustard Corduroy Shorts into Skirt Black-Simplicity-2451-thumb 2

Wardrobe Architect Week 1: Making Style More Personal

wardrobe-architectAs I mentioned in my post detailing my plans for the year, I’m going to be going through the Wardrobe Architect project which Colette ran back in 2014. I thought it was a good idea then, but at the time I don’t think I thought I needed it to plan my sewing and cement my personal style, but I definitely feel like I need it now!

I’m going to be doing a week every 2 weeks, as I don’t think I’ll be able to fit it in quicker than that! Here is my proposed schedule (so I am accountable at least a bit!):

Week 1 – 22/01 (obvs)
Week 2 – 05/02
Week 3 – 19/02
Week 4 – 05/03
Week 5 – 19/03
Week 6 – 02/04
Week 7 – 16/04
Week 8 – 30/04
Week 9 – 14/05
Week 10 – 28/08
Week 11 – 04/06
Week 12 – 18/06
Week 14 – 02/07

(there isn’t a week 13 as that was a giveaway in the original project.)

The first week is about making your style more personal. Colette have produced a worksheet to fill in with answers to various questions to help you figure out your motivations for what you wear. I’ll answer them here – I hope this is vaguely interesting!

HISTORY

How has your personal history informed the way you dress? 

I think the main way my history has informed my style is that I never felt cool at school because I never had the latest fashions. Having been bullied a lot through school (both primary and secondary), I felt really self-conscious through my teenage years. This carried on even when I was at university as I didn’t have much money so couldn’t go out and buy loads and loads of clothes, so I probably wore a very small wardrobe of clothes until I worked full-time. I think this all explains why I feel like I want the perfect wardrobe that will make me feel cool and mean I have awesome clothes to wear every day – this is why I compulsively buy patterns!


When did your tastes crystallize? Have they changed over the years, and why?

I’m not sure, really. I guess it’s evolved with each little period of my life – at university I dressed oddly smartly I think. Then when I started work at a bookshop, I carried this on but went a little more casual. Moving to London 7 1/2 years ago probably was the thing that has made the biggest difference to my style and self-confidence. Again I worked in a bookshop, and was surrounded by lots of people with lots of different personal styles. It made me realise I didn’t have to care about what was ‘fashionable’ (if there is such a thing any more!), I could wear what I wanted and felt good in. It was also while I was in London that I started sewing!I’ve also changed in the shapes that I like to wear – moving away from tight tops, favouring a looser silhouette on the top, but with skinny trousers. I also didn’t used to be so interested in vintage styles and shapes – I think this is probably something that changed when I discovered sewing and the online sewing community.

PHILOSOPHY

How does your philosophy, spirituality, or religion affect your aesthetics and buying habits? Or, what aspects of those things would you like to see reflected?

I’m not religious so I’ve found this question quite difficult. The main thing I could think of to include in this section was my growing awareness of how I consume. I’ve talked about this a little before on my blog, but I want to become a bit more aware of where my fabric comes from. A couple of years ago I read the book Overdressed (and I did a review of it, but it seems to have disappeared when I migrated my blog to a new name) and it has stuck with me what Elizabeth Cline wrote about the crazy levels of consumption caused by the trend towards fast fashion. Also the working conditions of the people making the clothes, and the damage caused to poor communities’ homes by the dying and other chemical processes used in the garment industry. It is tricky, though, because it’s really hard to know where fabric comes from – and I still don’t have very much money so I find myself weighing up price against the quality and origin of fabric, with price often being my most important concern. I do want to try to be better about this this year, though. If anyone has any tips for places I can buy ethical fabric at a reasonable price, please do let me know.

CULTURE

How has your cultural background shaped the way you look? 

I have no idea about this one!

How did the aesthetics and values you grew up with affect your tastes as you got older? 

As I mentioned above, I grew up in a house that wasn’t very fashion conscious, which I think has now helped me to not feel embarrassed about possibly looking a bit more individual than other people – now I’ve left school that is! I also grew up in a house without much money and clothes were one of the things not prioritised. I still feel this now – I never could justify spending much money on clothes, which is why sewing is so perfect for me. I can always justify buying fabric and patterns! I also grew up with my mum making quite a lot of our clothes when we were little, so I always knew sewing my own clothes was an option.

COMMUNITY

How are you influenced by the people around you, including friends, family, and other communities you’re involved in? 

The main community that has influenced me, in terms of sewing and fashion, is the online sewing community! And especially all of the amazing independent pattern designers. When I started sewing, there was really only Colette, Sewaholic and Grainline and now we are really spoilt for choice – and it means we can find particular designers that really mesh with our styles! It was also through reading sewing blogs that I became aware of vintage fashion and realised I particularly love the 60s. I also feel inspired to have a (nearly) 100% handmade wardrobe – I’ll get there one day!

ACTIVITIES

How do your day-to-day activities influence your choices?

I think my activities influence me less than they used to – I cycled to work the last 18 months I lived in London so I pretty much always wore trousers. I also worked in jobs in London where I didn’t have to be particularly smart. Now, however, I work in an office which does require a certain level of smartness – I don’t have to wear a suit but the men do, with ties. It’s kind of harder and easier to be a woman as we have so much choice, but we have so much choice! I walk to work in 5 minutes, and do walk around at work quite a bit, so comfort is definitely high on my list of needs in clothing!

LOCATION

Does the place you live inform the way you dress? 

Cirencester (where I live now) seems to be a bit less individual than London, on the whole. I’m sure there are people everywhere who wear what they like, but it’s kind of obvious that big cities are likely to be more ‘out there’ than small Cotswold towns. I don’t feel that anyone would be judged for dressing how they like here, though.

How does climate factor in?The UK is friggin’ cold for most of the year – and Cirencester is definitely colder than London. Also I am cold-blooded, so being warm enough is probably the most important thing to me when getting dressed.

BODY

In what ways does body image affect your choices in clothing? 

I’m not sure, really. The only thing about myself that I ever wanted to change was my terrible crooked teeth. I had braces as an adult, in my early twenties, and it is easily the best thing I’ve ever done in terms of my self-confidence. It might sound like I’m really up myself, but I’ve never been particularly conscious of my body – it all works, so I don’t have any reason to complain. I could be fitter, but I know I’m too lazy!

What clothes make you feel good about the body you live in? What clothes make you feel uncomfortable or alienated from your body?

Having said I feel confident in my body, I don’t like it to be on show particularly. I prefer to be quite covered up – I especially feel uncomfortable if my cleavage (what little of it there is!) is on show. I don’t mind showing off my figure (such as in my Lace Dress) as long as I’m not showing too much flesh (which is how I felt in my BHL Georgia Dress). I have moved away from more fitted clothes, particularly on my top half, in favour of a looser fit. I feel more comfortable in looser styles. I also hate to wear ill-fitting things (as some of my earlier makes now are) as I don’t like feeling pinched or like I have to spend the day adjusting things.

So there we go! I wrote more than I thought I was going to, which hopefully is a good thing! I’m really looking forward to the next week and to nailing my personal style once and for all – though I suspect I’ll end up with about 4 different styles!

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